CURRICULUM VITAE

Lives and works in New York 

Education:

1989     BFA School of Visual Arts 

Solo Exhibitions: 

2009     Sara Meltzer Gallery, New York, NY
2006     Aldrich Contemporary Art Museum, Ridgefield, CT
2004     Elizabeth Dee Gallery, New York, NY
2003     Kevin Bruk Gallery, Miami, FL
            Elizabeth Dee Gallery, New York, NY
2001     Dee/Glasoe, New York, NY
            Borgmann/Nathusius, Cologne, Germany
2000     White Room, White Columns, New York, NY
 
Selected Group Exhibitions: 

2010     Look Again, Marlborough Gallery Chelsea, New York, curated by Casey Fremont and Karline Moeller
            La Vie en Rose, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA  

2009     Benefit Exhibtion, Participant Inc., New York, NY

2008     BlueBalls, APF Lab, New York, curated by Jackie Saccoccio

2007     Brief Encounters, Caren Golden Fine Art, New York
            NeoIntegrity, Derek Eller Gallery, New York, curated by Keith Mayerson
            Eliminate, Albert Merola Gallery, Provincetown, MA, curated by John Waters
            Sonotube, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, curated by Miki Garcia
            Surfrider Foundation Benefit, The XChange, New York
2006     Two Friends and So On, Andrew Kreps Gallery, New York, curated by Johnathan
            Horowitz and Rob Pruitt
            In the Eye of the Beholder, Elaine L. Jacobs Gallery, Wayne State University, Detroit, MI
2005     Sports Illustrated, Islip Art Museum, East Islip, NY, curated by Karen Shaw
            Downstrokes and Feedback, Allston Skirt Gallery, Boston, MA , curated by Lisa Schiff
            Merit Badge, Middlebrook Estates, Hudson, NY, curated by Jason Middlebrook
            New at the Neuberger: Recent Acquisitions, Neuberger Museum of Art, Purchase, NY
            Benefit Exhibtion, Momenta Art, Brooklyn, NY
2004     The Drawn Page, Aldrich Contemporary Art Museum, Ridgefield, CT
            Cleanliness, Sara Meltzer Gallery, New York
            Recent Gifts and Acquisitions, Fine Arts Center, University of Massachusetts, Amherst
2003     Environs, Feigen Gallery, New York
            Rendered, Sara Meltzer Gallery, New York
2002     Metropolitan, Borgmann/Nathusius, Cologne, Germany
            Metropolitan, Jurgen Becker and Karin Gunther, Hamburg, Germany
2001     Westworld, Mary Boone Gallery, New York, curated by Max Henry
            Group Show, Lawing Gallery, Houston, Texas
2000     Group Show, Dee/Glasoe, New York
            Innuendo, Dee/Glasoe, New York, curated by Doug Wada
            Greater New York, P.S.1 Contemporary Art Center, Long Island City, New York
1998     Blind Faith, White Columns, New York, curated by Paul Ha
1996     Everything is Real, Jessica Fredericks, New York
1995     Group Show, Friedrich Petzel Gallery, New York
            The Most Important Thing in the World, Alternative Arts Fair, New York, New York, curated by Bill Arning
            Benefit Exhibition, New Museum of Contemporary Art, New York
1993     Paper, Pamela Auchincloss Gallery, New York, curated by Paul Ha
1991     Group Show, Louis Campania Galerie, Frankfurt, Germany, curated by Sabine B. Vogel
1989     Visual Arts Gallery, New York, curated by Joseph Kosuth 
 
Grants and Awards: 

2007     Marie Walsh Sharpe Foundation Grant
2001     Pollock-Krasner Grant
1998     Edward F. Albee Foundation
            Heathcote Foundation 
 
Bibliography:

2008     Eshoo, Amy, ed. “560 Broadway: A New York Drawing Collection at Work, 1991-2006,”
            Yale University Press, New Haven, p. 179.
2006     Genocchio, Benjamin, “Art Review, Ridgefield’s Own Given Free Rein,” The New York Times, May 14. 
2005     Harrison, Helen A., “Art Reviews; ‘Sports Illustrated’,” The New York Times, December 25. 
2003     Valdez, Sara. “Gallery,” Paper Magazine, August 2003, p.14.
            Pollack, Barbara, “Nature Boy,” Time Out New York, June 26-July3, p. 54.
            Krenz, Marcel. “Doug Wada, Elizabeth Dee Gallery,” Contemporary, No. 50, p.84-85. 
2002     Henry, Max. “Art Review,” Art in America, January.
2001     Wege, Astrid. “Douglas Wada, Borgmann/Nathusius,” Artforum International, Summer, p. 194.
            Schwendener, Martha. “Doug Wada, Dee/Glasoe,” Time Out New York, May 17-24, p.75.
            Siegal, Nina. “Buy Art Now,” The New York Observer, May 14.
            Johnson, Ken. “Weekend: Doug Wada, Dee/Glasoe,” The New York Times, May 11.
            “Ticket-Wochenendbeilage; Kunstszene, Kolner Stadtanzeiger, 23 March.
            Kolnerstadt-Anzeiger, April 7-8. 
2000     White Columns, White Rooms 1997-2000.
            “The Face of Change: 100 Years of Self-Portraits,” LIST/01, Spring/Summer, p.128.
            “Movers, Shakers and Style Makers,” B. Smith Style, August/September, p.86.
            Bollen, Christopher. “Art Reviews: ‘Innuendo’,” Time Out New York, June 29-July6.
            Johnson, Ken. “Art in Review: ‘Innuendo’,” The New York Times, July 7, p. B29.
            Zinsser, John. “Reviews: Painter’s Journal,” Artnet, June 6. 
1999     Kelly, Karen and McDonnell, Elizabeth, eds. “Stars Don’t Stand Still in the Sky: Music and
            Myth,” New York University Press, New York, p.266.
1997     Cotter, Holland. “Art in Review: ‘Blind Faith’,” The New York Times, January 9, p. E39.
1996     Cotter, Holland. “Art in Review: ‘Everything is Real’,” The New York Times, August 9, p. C23